FUJIFILM GFX 100 II’s 102MP sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms, now incorporating internal subject detection propelled by artificial intelligence, allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8fps using the camera’s high-speed mechanical shutter, or to record 4K/60p video at the full width of FUJIFILM GFX 100 II’s massive 55mm* imaging sensor. An updated 9.44M dot EVF with 120fps live view and 5.3fps of blackout-free (8.7fps of blackout-free in 35mm format mode), continuous shutter use, also helps photographers stay close to the action, frame by frame, while internal
*FUJIFILM GFX 100 II uses an image sensor measuring 55mm diagonally (43.8mm x 32.9mm), which provides an area approximately 1.7 times that of a 35mm full-frame sensor.
Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up 8K/30p, or, at the full width of FUJIFILM GFX 100 II’s massive 55mm* sensor, at 4K/60p, for a seamless transition from creative vision to post- production. Accelerate a project’s delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing.
FUJIFILM GFX 100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use FUJIFILM GFX 100 II’s 55mm large format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, FUJIFILM GFX 100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
Embrace cloud-first workflows and open lines of collaboration with FUJIFILM GFX 100 II’s World First, accessory-free integration for Frame.io Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the camera’s built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration.
With updated video functions that lead to simple post-production workflows, FUJIFILM GFX 100 II allows creators to go from an idea to the perfect story faster than ever. Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording truly make GFX 100 II an impressive, complete filmmaking tool, while a native integration with Atomos AirGluTM BT**, brings timecode synchronization*** to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)**** brings the GFX System offerings into the world of motion production in ways never before available. And thanks to Fujifilm’s one-of-a-kind color science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within FUJIFILM GFX 100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral color reproduction with high-contrast tonal gradations. Inspired by decades of analog film development, image-makers can choose REALA ACE mode, or otherwise a film simulation mode that best fits the mood and that aligns with their creative inspiration.
**Atomos AirGluTM BT uses Bluetooth technology to wirelessly synchronize timecode with the FUJIFILM GFX 100 II when in close proximity.
***Timecode synchronization provided through AirGluTM BT can be affected by a frame delay of at least 1 frame when syncing with multiple devices.
****ACES is a free, open, device-independent color management and image interchange system that can be applied to a wide variety of motion production workflows.
FUJIFILM GFX 100S II digital camera features a newly developed sensor and processor pairing. The camera houses a high-speed, 102-megapixel CMOS II chip, alongside X-Processor 5 – leading to a new league of performance. Countless aspects of camera functionality are impacted, from burst frame rates to video recording. As the heart and brain of any camera body, a quality sensor and processor are paramount.
The ergonomic build GFX System users have come to know and love is carried over into FUJIFILM GFX 100S II digital camera – and creatives new to the range will find immediate appeal. The camera is compact and lightweight, meaning large format quality can be utilized in virtually any setting, and essential controls remain accessible and tactile. GFX 100S II’s EVF adds further pleasure of use, offering 5.76 million dot resolution and 0.84x magnification making it easy to see even in bright outdoor scenes. Those seeking more robust handheld use can add an optional metal handgrip.
FUJIFILM GFX 100S II digital camera’s autofocus performance is built around artificial intelligence, bringing machine learning to the imaging process. New AF tracking capabilities keep a broad variety of subjects tack sharp as they move across frame, during both stills and video creation. Pushing AF even further forward, Face/Eye and Subject Detection modes are available, enabling image makers to prioritize within a scene. When the light dips, GFX 100S II’s autofocus keeps delivering strong results down to -5.5EV.
When the finest details of a subject are as vital as the scene itself, reach for FUJIFILM GFX 100S II digital camera. It features a powerful in-body image stabilization (IBIS) system offering a benefit of up to 8.0 stops* that’s perfect for confident handheld image making. In Pixel Shift Multi-Shot mode, the IBIS system allows frames up to 400 megapixels to be created, while 16-bit RAW stills benefit from a base sensitivity of ISO 80 and increased dynamic range. Fine 10-bit HEIF files, which use less space than a comparative JPEG, can be created to keep image quality high, while getting more images on a memory card, and the new REALA ACE mode adds to the already-extensive palette of FUJIFILM Film Simulations based on traditional analog films.
*Based upon CIPA standard in pitch / yaw directions, and when mounted with the FUJINON GF63mmF2.8 R WR lens
Not only is FUJIFILM GFX 100S II digital camera well suited for a professionally specified stills camera creation, it also offers masses of filmmaking potential. Footage can be created up to an industry- standard 4K/30p, utilizing the cinematic sensor size of G format. Broader video quality comes by way of 4:2:2 10-bit in-camera capabilities, with an improved data rate of 720Mbps compared to the previous GFX 100S, plus a wide variety of file capture formats, including ProRes and Blackmagic RAW. Working handheld, creatives can rely on 5-axis image stabilization for smooth footage – while native Frame.io Camera to Cloud compatibility improves collaboration for professional photo and motion allowing the camera slot effortlessly into professional workflows, remote and otherwise.